Day One

Seeing Light: Direction

Many of us don’t realize how much we’ve been rushing past everything until we start to photograph.
Today isn’t about being creative or inspired.
It’s about slowing down enough to notice something that’s always been there: the light

Once you learn to see where light is actually coming from, your photos start making sense.
It’s the first “oh wow” moment for most beginners, the moment things finally click.

So today, you’re not trying to make a beautiful photo.
You’re just learning to read the light.

You’re going to be surprised by how quickly this changes the way you see.

Direction: Where Light Comes From

Most people take a photo and hope the light works.
Today, you’re learning to notice it before you even lift the camera.

Light always has a direction.
It comes from one side, from above, from behind, from a window, from the sky, from the ground bouncing upward.

Once you see where it’s coming from, everything else becomes easier, exposure, mood, detail, even the story the image tells.
This is the first thing that helps your photos actually look the way you want them to.

What light does depending on direction

Front light
Light hits your subject straight on.
Shadows disappear. Skin looks smoother. Textures flatten.
It’s gentle and predictable, but it can feel a little safe.

Side light
Light from one side creates depth and interest.
You start to see shape, curves, and quiet drama.

Backlight
Light behind a subject creates glow, soft edges, or silhouettes.
Beautiful, but it can trick your camera if you don’t notice it.

Above or below
Overhead light (like sun at noon or kitchen pot lights) can create harsh shadows.
Light from below looks unnatural, even a little scary.

You start to understand why certain photos feel “off” it’s usually the direction.

A SIMPLE SEEING EXERCISE

Choose one simple object, a mug, a houseplant, a pair of glasses, anything small and easy to move.

Place it near a window.
Not in direct sunlight, just close enough that the window is the main light source.

Now keep the object in the exact same spot and only change where you stand.

Take three sets of photos:

Front Light

Stand with the window behind you so the light hits the object head-on.
Take 2–3 photos.

Side Light

Move so the light hits the object from the left or right.
Take 2–3 photos.

Backlight

Stand between the object and the window, letting the light come from behind your object.
Take 2–3 photos.

Same object.
Same place.
Same distance.
Only the direction changes..

DOES THE TIME OF DAY MATTER?

No.
Any time of day works because you’re not chasing “good light.”
You’re training your eye to recognize how direction changes shape, shadow, and mood.

Morning might be softer.
Midday might be brighter.
Late day might be warmer.

But direction behaves the same.

And if the room is dark?
Turn on a lamp.
Lamps have direction too.
The exercise still works.

WHAT YOU’LL BEGIN TO NOTICE

By the end of today, your awareness shifts.
You’ll look at the photos and see how each direction changed the feeling, even though nothing else moved.

That’s the moment something clicks.
It’s not your camera.
It’s not talent.
It’s simply learning to see what light is doing.

Tomorrow you’ll explore quality, the softness or sharpness of the light itself, which builds directly on this.

REFLECTION 

Which direction changed the mood of your object the most, and what surprised you about the difference?

No deep answers needed.
Just honesty.

WHY THIS MATTERS

When you understand light direction, everything gets easier.
Your photos stop looking random.
You stop hoping for a good shot.
You start predicting what will look good before lifting your camera.

This is the foundation of photography, and it makes beginners feel confident faster than anything else.

A Quiet Story

Light always arrives from somewhere.
Sometimes from the front, steady and predictable.
Sometimes from the side, giving depth and shape.
Sometimes from behind, making everything a silhouette.

People are the same.
Some moments in life feel clear and easy — front light.
Some come at you sideways and reveal more than you expected — side light.
Some arrive backlit, unclear at first, forcing you to trust what you can’t fully see.

Today’s exercise wasn’t just about noticing where the light comes from.
It was about realizing you move through your days in the same way —
lit fully, lit partially, or lit from behind with a mystery on the horizon.

The more you understand light,
the more you understand yourself.

PAUSE

Stand still for a breath.
Let your eyes settle before your camera does.

NOTICE

What direction is the light coming from right now —
not just in the room, but in your life?

CAPTURE

Photograph three objects
• the corner of a blanket
• your keys
• your dog’s paws
• a window latch
• a plant leaf
• a hallway wall

One shot with front light,
one with side light,
one with back light.

REFLECT

• Which version felt truest to the object?
• Which version felt truest to you?

Reflective Question:
Where is the light coming from in your life right now — and how does that direction shape what you’re able to see clearly, and what you’re still learning to understand?

Day Two